Dear wound-bearer, dear Grandmother:
I am 10 years old and helping you into the bath,
perplexed by your limp, semi-frozen limbs, stroke still a word for cats.
“I can’t,” you say, and I don’t roll my eyes
but place my hand under your right knee,
as if to nudge a learning bird to fly,
but just to the lip of the tub, vintage robin egg blue.
Because I am not yet afraid of falling,
the white bench calf deep in warm water seems close enough,
too safe to be an island, a patch of ice or mixed-up alphabet.
Each room of me opens up into another, in a circle, so I am
never trapped. “I’ll wait right outside,” I say, and step into
the cool bedroom with its leafy mural covered with horses in motion.
Wintergreen steam follows me. Granny is like a big boat
that hasn’t seen the sea in a while, I think. Later, I comb out your long
dark hair, fine, like mine, and fill it with pink and yellow barrettes.
We’ll listen to a record with songs for dancing, and head for the porch
to watch maple shadows and meadow-spells,
where I spell words thick on the tongue: paralyzed, wagon train,
whisky son, purple. The air around us perplexed and sweet
with the last of the lilies of the valley and first honeysuckle.
About the Author
Charity Gingerich’s first full-length collection of poems, After June, won The Hopper poetry prize (Green Writers Press, 2019). Her chapbook, Girl Escaping with Sky was published by Dancing Girl Press (2014). Currently, she teaches ESL to international business persons and their families. Gingerich has received a poetry scholarship from the Sewanee Writer’s Conference (2016) and a residency from the Vermont Studio Center (2019). Her work has appeared in journals such as FIELD, the Kenyon Review, Arts & Letters, Ruminate, and Indiana Review, among others.